Likewise receiving it's first publication in any format is Haydn's C major Fantasia, a performance from May 1947. Those initial sessions included two short pieces of Mozart which were never issued but have turned up on a test pressing and are included here. He recorded them both in 1946, having begun to record for Decca in December the previous year. Critics tended to focus on Ferber's sensitivity, grace and musical intelligence, and these qualities distinguish the Beethoven and Schubert sonatas on this newly remastered compilation. Around the same time he made this recording of Kinderszenen, which was issued on a 10-inch LP with a selection of Mendelssohn's Songs without Words. 46 for two pianos at her Wigmore farewell recital. ![]() His pedigree in Schumann was unimpeachable: in 1951 he partnered Clara Schumann's pupil Adelina de Lara in a performance of Schumann's Andante and Variations, Op. ![]() who also showed in works of Schubert and Schumann some uncommon pianistic gifts'.Such sympathy of idiom is readily apparent in Ferber's postwar Decca recordings, made in London. ![]() International critics visiting the 1939 Lucerne Festival were impressed by 'an exceptional Swiss pianist. Born in Lucerne in 1911, Albert Ferber studied with a pupil of Alfred Cortot and often played for Rachmaninov in Switzerland.
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